EL JARDIN DE LOS FAUNOS
23 mins, 2022 /3 excerpts
Three musical pieces from " the garden of fauns" experimental documentary by Pol Merchan on the visionary and transgressive art of homosexual artist Nazario Luque.
>COMING SOON
ISLANDLESS
102 mins, 2021 / credits song and trailer from
PASSAGE
13 mins, 2020 /trailer
by Ann Oren
A foley artist creates sounds for a film starring a dressage horse and dissolves into his own imitation.Shot on 16mm film, PASSAGE alludes to Eadweard Muybridge’s pre-cinematic experiments with horses.
I realised the foley sound as there was no sound recorded on set and than mixed with musical elements.
THE WILL
38 min, 2018 /trailer and 1 excerpt
by Sungeun Kim, Jenny Cho
The film is a visual experiment dealing with a political rupture namely “the candlelight revolution” in S.Korea in the winter 2016-2017. Performance and pre-enactment were employed as new documenting tools, as the film creates dialogues between the past archive and the newly constructed scenes. The work is largely inspired by Nagisa Oshima’s 1970 film “The Man Who Left His Will on Film” from which the excerpts were also used.
PIRATE BOYS
13 min, 2018 /1 excerpt
Kathy Acker's writing, and a seminal portrait of her taken by intersex photographer Del LaGrace Volcano, provide a lens through which to explore trans subjectivity and the queering of cinema. Pol Merchan's hybrid doc fluidly moves from the documentation of the punk era to a more performative exploration of gender.
THE MEMORY OF THE 25 HOUR
78 min, 2017 /trailer
The film by Sungeun Kim, traces the memories of the villagers’ 10 year-long resistance against the naval base construction in Gangjeong village in Jeju Island, South Korea.
NO DEMOCRACY HERE
24min/ 2017 / song end credits
Theme from the Documentary_performance by Liad Hussein Kantorowicz shown in CPH:DOK 2018
THE FLOSS
15 min 2019 /trailer
Feature film by Fan Popo
ISLE OF MAN , 2 min , 2011
THE WORLD IS MINE
68 min 2017 /trailer
Feature film by Ann Oren
Hatsune Miku is a "vocaloid", a synthesizer software. To promote it, a cute manga character was created that quickly rose to stardom among the Tokyo "otaku" sub-culture. Her entire persona: lyrics, music and animation - is fan created, and that's her charm. She performs sold out concerts as a hologram.
For the soundtrack i used myself this vocaloid software and mixed it with other instruments. The computer music and the artificial ambience ( with bird toys sound and similar ) alternates with instrumental music.
KEN
38 min, 2017 /trailer
A short film by Zayne Armstrong, produced by THEVIEW Studio, Genova, 2015.
No sound was recorded during the shooting. All dialogue is dubbed with the voices of other actors and all sound was built in post production.
Essay film by Juliane Henrich premiered at the 'Vision du réel' , Nyon, April 2016 (special mention from the jury )
AUS WESTLICHEN RICHTUNGEN
61 min , 2016 /trailer
I played with the Tagesschau jingle (the daily news on the first channel of public German television, the ARD) as reference.
COUP D'OEIL
17 min , 2014 /2 excertps
Excerpts with the music score from the short film by Hanna Bergfors and Kornelia Kugler 'Coup d’Oeil' (Stroke of the Eye) is a chamber-play-drama about female friendship shot on 16mm. The music is arranged by me and performed
by Bastian Hagedorn (drums ) Johanna Olausson (contrabass) and Mitchelle Betancourt (trombone ).
THE MISANDRISTS
91 min, 2017 /trailer
The Misandrists is a 2017 German drama film directed by Bruce LaBruce.[1] It was screened in the Panorama section at the 67th Berlin International Film Festival.[2]
The film centres on a radical feminist group plotting a revolution to overthrow patriarchy in Germany
>>>> SOME PREVIOUS VIDEO WORK OF MINE RELATED TO SOUND
ISLE OF MAN 2011
Sound excerpts of an experimental video made at a weekend workshop with Lior Shamriz. This film uses the lyrics of Laurie Anderson song 'big science ' as script and is a personal search for a gravitational point and a sense of belonging in the unfamiliar german landscape while being surronded by art students (UdK) . The sound is a collage of laurie Anderson and the avant gardist italian composer Egisto Macchi