THE WILL

13:10 min, 2018 (trailer)

by Sungeun Kim, Jenny Cho

The film is a visual experiment dealing with a political rupture namely “the candlelight revolution” in S.Korea in the winter 2016-2017. Performance and pre-enactment were employed as new documenting tools, as the film creates dialogues between the past archive and the newly constructed scenes. The work is largely inspired by Nagisa Oshima’s 1970 film “The Man Who Left His Will on Film” from which the excerpts were also used.

 

PIRATE BOYS

13:10 min, 2018 (trailer)

Kathy Acker's writing, and a seminal portrait of her taken by intersex photographer Del LaGrace Volcano, provide a lens through which to explore trans subjectivity and the queering of cinema. Pol Merchan's hybrid doc fluidly moves from the documentation of the punk era to a more performative exploration of gender. 

 

THE MEMORY OF THE 25 HOUR

78 min, 2017 (trailer)

Documentary film by Sungeun Kim

The film traces the memories of the villagers’ 10 year-long resistance against the naval base construction in Gangjeong village in Jeju Island, South Korea.

THE WORLD IS MINE

68 min  2017     (trailer)

Feature film by Ann Oren 

Hatsune Miku is a "vocaloid", a synthesizer software. To promote it, a cute manga character was created that quickly rose to stardom among the Tokyo "otaku" sub-culture. Her entire persona: lyrics, music and animation - is fan created, and that's her charm. She performs sold out concerts as a hologram.

For the soundtrack i used myself this vocaloid software and mixed it with other instruments. The computer music and the artificial ambience ( with bird toys sound and similar ) alternates  with  instrumental music. 

NO DEMOCRACY HERE

24min Berlin /Tel Aviv, 2017 (theme)

One theme from the Documentary_performance by Liad Hussein Kantorowicz shown in 

CPH:DOK 2018

KEN

38 min, 2017 (trailer)

A short film by Zayne Armstrong, produced by THEVIEW Studio, Genova, 2015.

No sound was recorded during the shooting. All dialogue is dubbed with the voices of other actors and all sound was built in post production. 

 

Essay film by Juliane Henrich premiered at the 'Vision du réel' , Nyon, April 2016 (special mention from the jury )

AUS WESTLICHEN RICHTUNGEN61 min , 2016 (trailer)

I played with the Tagesschau jingle (the daily news on the first channel of public German television, the ARD) as reference. 

ISLE OF MAN , 2 min , 2011 

COUP D'OEIL , 17 min , 2014

Excerpts with the music score from the short film by Hanna Bergfors and Kornelia Kugler 'Coup d’Oeil' (Stroke of the Eye) is  a chamber-play-drama about female friendship shot on 16mm. The music is arranged by me and performed 

by Bastian Hagedorn (drums )  Johanna Olausson (contrabass) and Mitchelle Betancourt (trombone ).

THE FLOSS by Fan Popo (trailer)

THE MISANDRISTS 

91 min, 2017 (trailer)

The Misandrists is a 2017 German drama film directed by Bruce LaBruce.[1] It was screened in the Panorama section at the 67th Berlin International Film Festival.[2]

The film centres on a radical feminist group plotting a revolution to overthrow patriarchy in Germany

>>>>>>>>> AND SOME PREVIOUS VIDEO WORK OF MINE RELATED TO SOUND

Music and video collage . The clips comes from Youtube videos posted in motorbike fan pages. 

ISLE OF MAN  , 1.47min , 2011

Sound excerpts of an experimental video I made at a weekend workshop with Lior Shamriz.  With the lyrics of Laurie Anderson song 'big science 'as reference i made a scifi video  about the search for the center of gravity, a sense of belonging, while being surronded by art students (UdK) and an unfamiliar landscape  (German countryside in Sauen, Brandenburg ). I used the music of Egisto Macchi, an Italian avantgarde composer, and some elements of Laurie Anderson's song. 

BIG SCIENCE  , 14 min , 2011