PASSAGE
13 mins, 16mm film, 2020 / trailer
by Ann Oren
A foley artist creates sounds for a film starring a dressage horse and dissolves into his own imitation.Shot on 16mm film, PASSAGE alludes to Eadweard Muybridge’s pre-cinematic experiments with horses.
I realised the foley sound as there was no sound recorded on set and than mixed with musical elements.
THE WILL
13:10 min, 2018 (trailer)
by Sungeun Kim, Jenny Cho
The film is a visual experiment dealing with a political rupture namely “the candlelight revolution” in S.Korea in the winter 2016-2017. Performance and pre-enactment were employed as new documenting tools, as the film creates dialogues between the past archive and the newly constructed scenes. The work is largely inspired by Nagisa Oshima’s 1970 film “The Man Who Left His Will on Film” from which the excerpts were also used.
PIRATE BOYS
13:10 min, 2018 (trailer)
Kathy Acker's writing, and a seminal portrait of her taken by intersex photographer Del LaGrace Volcano, provide a lens through which to explore trans subjectivity and the queering of cinema. Pol Merchan's hybrid doc fluidly moves from the documentation of the punk era to a more performative exploration of gender.
THE MEMORY OF THE 25 HOUR
78 min, 2017 Documentary film by Sungeun Kim
The film traces the memories of the villagers’ 10 year-long resistance against the naval base construction in Gangjeong village in Jeju Island, South Korea.
NO DEMOCRACY HERE
24min Berlin /Tel Aviv, 2017 (theme)
Theme from the Documentary_performance by Liad Hussein Kantorowicz shown in
CPH:DOK 2018
THE FLOSS
Feature film by FAN POPO
THE WORLD IS MINE
68 min 2017 (trailer)
Feature film by Ann Oren
Hatsune Miku is a "vocaloid", a synthesizer software. To promote it, a cute manga character was created that quickly rose to stardom among the Tokyo "otaku" sub-culture. Her entire persona: lyrics, music and animation - is fan created, and that's her charm. She performs sold out concerts as a hologram.
For the soundtrack i used myself this vocaloid software and mixed it with other instruments. The computer music and the artificial ambience ( with bird toys sound and similar ) alternates with instrumental music.
ISLE OF MAN , 2 min , 2011
KEN
38 min, 2017 (trailer)
A short film by Zayne Armstrong, produced by THEVIEW Studio, Genova, 2015.
No sound was recorded during the shooting. All dialogue is dubbed with the voices of other actors and all sound was built in post production.
Essay film by Juliane Henrich premiered at the 'Vision du réel' , Nyon, April 2016 (special mention from the jury )
AUS WESTLICHEN RICHTUNGEN 61 min , 2016 (trailer)
I played with the Tagesschau jingle (the daily news on the first channel of public German television, the ARD) as reference.
COUP D'OEIL , 17 min , 2014
Excerpts with the music score from the short film by Hanna Bergfors and Kornelia Kugler 'Coup d’Oeil' (Stroke of the Eye) is a chamber-play-drama about female friendship shot on 16mm. The music is arranged by me and performed
by Bastian Hagedorn (drums ) Johanna Olausson (contrabass) and Mitchelle Betancourt (trombone ).
THE MISANDRISTS
91 min, 2017 (trailer)
The Misandrists is a 2017 German drama film directed by Bruce LaBruce.[1] It was screened in the Panorama section at the 67th Berlin International Film Festival.[2]
The film centres on a radical feminist group plotting a revolution to overthrow patriarchy in Germany
>>>>>>>>> AND SOME PREVIOUS VIDEO WORK OF MINE RELATED TO SOUND
ISLE OF MAN , 1.47min , 2011
Sound excerpts of an experimental video I made at a weekend workshop with Lior Shamriz. With the lyrics of Laurie Anderson song 'big science 'as reference i made a scifi video about the search for the center of gravity, a sense of belonging, while being surronded by art students (UdK) and an unfamiliar landscape (German countryside in Sauen, Brandenburg ). I used the music of Egisto Macchi, an Italian avantgarde composer, and some elements of Laurie Anderson's song.