102 mins, 2021 / trailer
by Sungeun Kim
work in progress....
13 mins, 16mm film, 2020 / trailer
by Ann Oren
A foley artist creates sounds for a film starring a dressage horse and dissolves into his own imitation.Shot on 16mm film, PASSAGE alludes to Eadweard Muybridge’s pre-cinematic experiments with horses.
I realised the foley sound as there was no sound recorded on set and than mixed with musical elements.
13:10 min, 2018 /trailer
by Sungeun Kim, Jenny Cho
The film is a visual experiment dealing with a political rupture namely “the candlelight revolution” in S.Korea in the winter 2016-2017. Performance and pre-enactment were employed as new documenting tools, as the film creates dialogues between the past archive and the newly constructed scenes. The work is largely inspired by Nagisa Oshima’s 1970 film “The Man Who Left His Will on Film” from which the excerpts were also used.
13:10 min, 2018 excerpts/trailer
Kathy Acker's writing, and a seminal portrait of her taken by intersex photographer Del LaGrace Volcano, provide a lens through which to explore trans subjectivity and the queering of cinema. Pol Merchan's hybrid doc fluidly moves from the documentation of the punk era to a more performative exploration of gender.
THE MEMORY OF THE 25 HOUR
78 min, 2017 Documentary film by Sungeun Kim
The film traces the memories of the villagers’ 10 year-long resistance against the naval base construction in Gangjeong village in Jeju Island, South Korea.
NO DEMOCRACY HERE
24min Berlin /Tel Aviv, 2017 (theme)
Theme from the Documentary_performance by Liad Hussein Kantorowicz shown in
Feature film by FAN POPO
ISLE OF MAN , 2 min , 2011
THE WORLD IS MINE
68 min 2017 (trailer)
Feature film by Ann Oren
Hatsune Miku is a "vocaloid", a synthesizer software. To promote it, a cute manga character was created that quickly rose to stardom among the Tokyo "otaku" sub-culture. Her entire persona: lyrics, music and animation - is fan created, and that's her charm. She performs sold out concerts as a hologram.
For the soundtrack i used myself this vocaloid software and mixed it with other instruments. The computer music and the artificial ambience ( with bird toys sound and similar ) alternates with instrumental music.
38 min, 2017 (trailer)
A short film by Zayne Armstrong, produced by THEVIEW Studio, Genova, 2015.
No sound was recorded during the shooting. All dialogue is dubbed with the voices of other actors and all sound was built in post production.
Essay film by Juliane Henrich premiered at the 'Vision du réel' , Nyon, April 2016 (special mention from the jury )
AUS WESTLICHEN RICHTUNGEN 61 min , 2016 (trailer)
I played with the Tagesschau jingle (the daily news on the first channel of public German television, the ARD) as reference.
COUP D'OEIL , 17 min , 2014
Excerpts with the music score from the short film by Hanna Bergfors and Kornelia Kugler 'Coup d’Oeil' (Stroke of the Eye) is a chamber-play-drama about female friendship shot on 16mm. The music is arranged by me and performed
by Bastian Hagedorn (drums ) Johanna Olausson (contrabass) and Mitchelle Betancourt (trombone ).
91 min, 2017 (trailer)
>>>>>>>>> AND SOME PREVIOUS VIDEO WORK OF MINE RELATED TO SOUND
ISLE OF MAN , 1.47min , 2011
Sound excerpts of an experimental video made at a weekend workshop with Lior Shamriz. This film uses the lyrics of Laurie Anderson song 'big science ' as script and is a personal search for a gravitational point and a sense of belonging in the unfamiliar german landscape while being surronded by art students (UdK) . The sound is a collage of laurie Anderson and the avant gardist italian composer Egisto Macchi